We miss you! We hope everyone is staying safe, healthy, and making smart decisions to STAY HOME! Many resident DJs are keeping the music bumping, and spirits alive via live streaming. Check out our live streaming page for updates!
I love my staff and the community. Limiting our capacity to 50 people, and ignoring science and the recommendations of Dr. Anthony Fauci seems irresponsible. FLASK LOUNGE Will Be Closed Until…? Join our mailing list via our website. I will provide daily coronavirus updates, news, and resources here. Thank you to those reaching out in support. Please be safe and practice patience and kindness. ❤️- Jessica
UPDATED ON MARCH 13th 2020
• Flask will be systematically cleaned and sanitized daily until the threat of coronavirus has subsided. • The hood fan will be used to increase circulation. • The community water jug will be removed. • We are putting up signs educating people about how to prevent the spread of germs. • We encourage patrons and staff to stay home if they are sick, have health risks, or have traveled to high-risk countries and states. • We will update our website and FB page in the event of cancellations and operational changes.
POSTED ON MARCH 2nd, 2020
It’s essential everyone takes precautions, not panic, and become educated about the virus. Here’s what we are doing.
Staying healthy! If you’re not feeling well, being proactive and getting shifts covered is crucial. No one should come to work if they have flu-like symptoms, including fever, cough, shortness of breath.
Washing hands often with soap and water for 20 seconds and using alcohol-based hand sanitizers.
Cough or sneeze into your elbow instead of your hands. Keep hands away from eyes, mouth, and nose.
Clean, Clean, Clean. Bleach is our friend. Now more than ever, we need to be cautious of frequently touched surfaces such as countertops, doorknobs, sink/toilet handles, iPad/computer screens, tap handles, light switches, seats/benches, to name a few.
If the time comes that businesses such as ours are recommending to close; we will close until it’s safe to re-open.
Do not panic. We should anticipate fear, anxiety, and the spreading of misinformation. I predict a decline in sales and tips over the next several months. It is not necessary at this time to encourage staying home (unless people are sick). Let’s continue to promote our events.
Resolutions, lessons learned, insights to get gigs, the importance of Tuesday nights at Flask, what to expect on NYE, and fun bonus QnA’s w/ APG, G-Force, Harlock, and Kid Ray! New Year’s Eve falls on a Tuesday, landing on our weekly Open DJ Night. I thought, why not ask our Open hosts to take over and lead us into 2020 Flasquerade style.
What has your experience been as a host of OPEN? Is OPEN vital to the DJ community?
Andrew Paul (APG): When I heard Open needed a host earlier this year, I jumped right on the opportunity, for the main purpose of keeping the night going. It has been vital for the scene and should not be taken for granted. For newer and older DJ’s alike, it allows us to play out, and connect with others. It’s been an honor to host.
Gina Hesse (G-Force): I got my first real electronic music gig because of Open back in 2012. I owe a lot to Open, and I think it is vital to the Maine electronic music scene. It helps bedroom DJs get a chance to break out of their comfort zone and potentially get gigs out of it.
James Spinney (Harlock): I’ve been lucky to be a part of Open since Kid Ray’s induction in 2013, attending the first few Open’s as a patron and occasionally signing up to DJ. Open had been an immediate success in the scene, encouraging both veteran DJs and hopeful beginners to come out and spin their passions for an eager crowd, and I was no exception. As a producer first, and DJ second, Open was especially magical for me as it provided a platform to show off the music I had been producing over the years. To help support Open, several of the regular DJs, Carl Fisher, Moses, A Dude Named Ray, Dj Cougar, as well as Kid Ray himself, would help by providing the necessary equipment to host the night. I ended up picking up a pair of new CDJs to provide some relief for the rotation and become a regular co-host. The rest is history!
Christopher Ramos (Kid Ray): I was the primary host for six years up until this year, I host the first Tuesday of the month. I love every Tuesday, one way or another. Once, a guy tried playing a set with two cassette decks. This forum offers new and veteran DJs and Artists a chance to hone their talents with their peers.
Flask receives 100’s of booking requests each month from bands and DJs. I imagine this number is equivalent to other venues in Portland. What’s the best advice you can give to up and coming musicians who want to break out and book gigs at Flask and other local venues?
Andrew Paul (APG): When I was a newer DJ, Open was vital for me. It gave me a way to practice outside of the bedroom, and at the same time, network with other DJ’s attending. That alone helped create paths for new gigs.
Gina Hesse (G-Force): I’d say, if you’re a DJ or producer, get to Open. It is the ONLY Open DJ night in this area. I know that I have booked DJ’s that I have heard at Open, and they have gone on to other things. As far as other music genres, make demos. Get your name out there. Go to open mic nights and make yourself known. You will never be heard if you don’t get out there and perform for the masses!
James Spinney (Harlock): One of the most important things you can do is come out and show support for the events being hosted at the venue. Network with regulars, talk with the promoters and get a few attendances under your belt before hunting down a gig. If you’re a DJ, then definitely swing by on a Tuesday and sign-up for Open (sign-ups start at 8:30, so get there early!). Often there will be regulars and veterans who frequently host or DJ events attending Open, so giving them a preview of your talents can only help! Many of the veteran DJs are more than willing to give upcoming artists a shot. G-Force specifically has a fantastic track record of showcasing phenomenal artists that otherwise have gone unnoticed. If you run into her, say hi, and introduce yourself, it’ll be the smartest thing you do that night.
Christopher Ramos (Kid Ray): If you want it, you have to shoot your shots as professionally as possible. Be present and available.
It’s open mic, but for DJs. Bring your Records, CDs, or Controller. All formats/genres are welcome. Every Tuesday at Flask Lounge 117 Spring St. Portland ME with hosts Kid Ray, G-Force, Harlock, APG. Sign up starts at 8:30 pm sharp. Join the OPEN FACEBOOK GROUP PAGE for all updates and details.
The decade is almost over. It’s been a wild one. Can you share one lesson learned in the last decade you will take with you into 2020?
Andrew Paul (APG): Be yourself. Keep your craft authentic, and to not compromise that for what might be trending. If it makes you move, it surely will make others, too.
Gina Hesse (G-Force): One HUGE lesson I learned this decade is to never take anything for granted. Not your family, not your house, nothing. LOVE every day and stay focused and motivated.
James Spinney (Harlock): It’s important to have balance in your life, Jackie Chan once said (in a very cheesy remake of The Karate Kid) “Wù jí bì fǎn”; too much of a good thing can be a bad thing. Focusing on your passions is important, but it’s also important to make sure you’re financially stable, have a good job, and to make healthy lifestyle choices. We all want to live the dream and believe our passions alone will keep us afloat, but the reality is even the most successful of us aren’t DJing or producing music full-time. Find a balance that works, and if you feel yourself slipping in one direction or another, realign yourself and assess what is most important right now.
Christopher Ramos (Kid Ray): Pay attention to other people’s personal space.
What are your 2020 goals? Resolutions?
Andrew Paul (APG): To keep sharing the music that I love, one event at a time.
Gina Hesse (G-Force): To quit drinking.
James Spinney (Harlock): I was lucky enough to find the love of my life through the music scene, and last May, we tied the knot. Going forward into 2020, we hope to continue saving up and with any luck purchase our first house so we can start working on having a family. If stars align and fortune favors me, I’d like to go on a trip to spend a week in Japan.
Christopher Ramos (Kid Ray): My goals for the new year are to pay more attention to my own needs, wants, and happiness. I tend to put others ahead of myself.
What can we expect from you on NYE?
Andrew Paul (APG): I will be warming up the night early with some soulful drum n bass vibes. It will surely get you moving!
Gina Hesse (G-Force): House and bass vibes that are certainly going to keep you dancing!!
James Spinney (Harlock): Well, House Music has always been a soft spot for me. Even though my DJ roots go way back to my days as a host for dnbradio.com, I’ve always been a House music producer first and foremost so… I suppose you’ll have to come out and find out for yourself on New Year’s Eve what I picked!
Andrew Paul (APG): I’ll eat both. Gina Hesse (G-Force): Thin James Spinney (Harlock): Stuffed Crust! Christopher Ramos (Kid Ray): Thin
2. Ice cream cone or cup?
Andrew Paul (APG): A cone-shaped like a cup! Gina Hesse (G-Force): Cone James Spinney (Harlock): Waffle Cone Christopher Ramos (Kid Ray): Cup
3. Dogs or Cats?
Andrew Paul (APG): A cat that acts like a dog. Gina Hesse (G-Force): Cats and Wiener dogs 😂 James Spinney (Harlock): I have a Ball Python so… Snake? Christopher Ramos (Kid Ray): Both
4. House or Bass?
Andrew Paul (APG): Bass. But not strict to any genre. Gina Hesse (G-Force): BOTH! James Spinney (Harlock): BOTH! Christopher Ramos (Kid Ray): House (mostly)
Slater Hogan heats up Flask Friday, November 22nd.
You started DJing in 1998. How has becoming a father impacted your career as a DJ today?
It’s almost the other way around. It is DJing, as my career that allows for a flexible work schedule. I was able to be around Jack (my son) all the time during the day. Most parents who work 9 to 5 don’t get that opportunity. Jack’s mom always says, “It takes a village to raise a child.” We have a great support system helping out when I’m working the late-night hours.
You’ve performed all around the world. You’ve released 100’s of tracks on various labels. What brings you to Flask Lounge?
My friend Zebo told me how great the vibe was at Flask the night he played, and he put me in touch with Mikey (DJ Phaded), and we were able to work it out. I’ve never been to Maine. So I am excited to see Portland and get down with everyone!
I’m ashamed to admit I had no idea just how prominent he was in the midwest house music scene, so being able to host him as my guest DJ at Flask is extremely exciting.
-Mike Dear (DJ PHADED)
How can small venues, like Flask, help keep the EDM scene growing and vibrant without having access to piles of cash and charging high priced covers?
I am co-owner of the Patron Saint in Indianapolis, and our capacity is only 185. We understand the small club mentality. I think the intimate venues allow DJ’s to go deeper into their crates and play stuff they may not play on bigger stages. When the rave culture started, it was more about the music than it was about LED walls and EFX. The EDM scene has taken electronic music and turned it into a rock concert with all the confetti, CO2, fire, etc. I’d much prefer to play a dark, intimate room with people that appreciate House music.
What lights you up as a DJ, and what makes you roll your eyes and shake your head?
I love it when the crowd recognizes the blend. When I first started playing overseas, I noticed the crowd would whistle when two records were blending together and creating a better groove then the records playing individually. They were so knowledgeable about DJ culture. You don’t get that a lot in the States. I guess my biggest pet peeve would be people who request a song by pulling it up on their phone and shoving it in your face lol.
What’s your favorite track you have produced?
Probably my remix of Truman Industries “Love Plus” It’s a fun, jazzy, disco vibe but also shared remixing credits on that release with Derrick Carter, and he’s always been a significant influence in my style.
It’s a Friday night, and you have no plans. What are you doing?
Finding a dive bar with a great jukebox and deep tequila selection.
Do you have any hidden talents?
A lot of people don’t know that I played tennis at Butler University and have been teaching tennis for 30 years.
What kind of tequila should I buy for your upcoming show at Flask on November 22nd?
Uh oh! Haha. Maestro Dobel Diamante is one of my fav’s. But I also love Fernet.
What are your upcoming shows? Anything I can help promote?
SWEAT @ Flask Lounge in Portland, ME! Let’s blow it up!
Stephan Jordan is a Veteran of the US Military, also a DJ, well-known as DAZE INN. Daze Inn is the curator of a weekly SUNDAZE dance party and bi-monthly party, FUTURE CLASSIC at Flask Lounge. Stephan has been DJing for seven years.
Serving in the United States Military and now Portland’s EDM Scene
How has being in the military influenced who you are today? Has it played a role in your career as a DJ?
I feel as though the military changes everybody who signs up for it. Military culture and dance music culture aren’t inherently intertwined, so it hasn’t played too significant of a role. Post-service, the USMC made me diligent in all walks of life. In that regard, it has helped me keep grinding in this industry.
“This is me, on duty, eating the finest Chinese food Jacksonville, NC had to offer. Happy Veterans to my fellow service members!” -Stephan Jordan
What is your favorite part about being a DJ? Least Favorite?
I spend many hours digging for music in hopes of finding hidden gems. So, when I see the crowd lose their respective shit while I’m playing one of those particular selections, it justifies all the effort.
As far as the least favorite? Requests. If you want to dictate the evening music-wise, find a jukebox. We are the captain of the ship — curators of the vibe.
There are rumors that EDM music and culture are fading. Do you believe this, and even if the statement is false, what can we do to keep EDM alive and fresh?
I don’t know if fading is the word. It seems to be hitting the peak of its roller-coaster ride. I see it more like a bubble that’s about to pop. Crowds are getting tired of hearing the same popular EDM tracks played by the same touring acts. It’s not sustainable. People’s ears want new and different sounds by nature.
Arguably, the underground always remains. Genuine fans of dance music will eventually find themselves. To keep it alive and fresh, we need a crowd. Not that the burden is on their shoulders alone. Producers need to make captivating new sounds and be experimental to draw crowds. DJ’s need to keep their sets exciting and also do their diligent duty and dig for music. Going to Beatport and downloading the top songs in your preferred genre is lazy and creates zero separation from what you’re doing and what others are doing in an already over-saturated market. Be unique.
Many people may not realize how much time and work it takes to be a DJ? You have a full-time job, a wife, and a life. How do you find time not only to play shows but organizing, booking, promoting, and hosting them? Does this ever cause conflict?
Balancing time can be an art form in itself. Setting aside time for the other things that give your life worth is integral to your mental health, and admittedly I can get lost in industry work from time to time. I’m so grateful to have a wife who understands that Djing is fun at times, but it is, in fact, a second job for me. If there’s a pro tip here, it’s to put in work on your lunch break.
“I’m so grateful to have a wife who understands that Djing is fun at times, but it is, in fact, a second job for me.” -Stephan Jordan
Do you see yourself retiring from DJ’ing or passing the torch on your resident nights?
If I have the choice to hand it off to someone to ensure the music my nights provide in Portland continues to thrive, I absolutely will. As for myself, with opportunities come lifestyle choices and changes. I have loved music from the moment I heard it, so there will always be a part of me that wants to be behind the decks. I DJ to play the music I enjoy, and in doing so, I hope others fall in line with similar feelings. I will have the thirst for finding new and unique music forever, and I hope it is only rivaled by my need to mix those songs.
Your dream B2B partner?
Probably Ivy Lab. I have such an affinity for those gentlemen. It’s equally rewarding playing side by side with some of your best friends in the industry. I prefer a b2b with a good friend at an amazing venue such as Red Rocks over anything else.
I often forget Dereloid’s name. Is it Darryl or Darrell Tapley? 🤷🏼♀️ To most, we know MR. DERELOID as a skilled veteran DJ, loyal friend, and talented graphic artist. Portland, Maine, is damn lucky to have him. If Dereloid is not making you dance your ass off, he’s presumably making you laugh your ass off. Dereloid hosts Foundation Friday (8 years and counting) at Flask Lounge. What makes the Portland EDM scene so unique? What chaps his ass? Is substance, in fact, greater than hype? Advice to upcoming DJs, these answers, and more to some “massive questions!”
Mr. Dereloid No Hype, Just Substance
How do you describe Foundation Friday to a stranger?
When I describe my night to people, it usually sounds like this: I say I play underground dance music. No radio stuff. House, techno, and all tasty sub-genres within. If they don’t know what I mean, I say it feels like a disco for robots. I do play actual disco and nu-disco, electro, breakbeat, afrobeat, synth wave, acid house, acid techno, and on and on. I also tell them the crowd is a nice mix of young, older, open-minded people of all genders and orientations. It is a safe space. Dance culture has always had roots in a welcoming and safe community.
In your opinion, how does the Portland, Maine electronic dance music (EDM) scene compare to cities like New York, Chicago, LA?
Having a long history with this subculture and being involved in it here in Maine since the ’90s, many answers come to mind. I will try to keep this brief to avoid writing a novella. The culture/scene has mutated into a strange tainted animal in large markets, and even here on some levels.
Up until recently, DJ’s were not viewed as rock stars on bright stages like they are now. One had to look around to find the DJ booth. People would get down on the dancefloor and experience the DJ’s sermon on their terms, dancing with other people and alone. Since the internet and social media have infiltrated everything in our society, changes have occurred. People are gazing at the DJ booth and dancing way less or not at all.
Also, It is VERY hard to find success in terms of touring and earning a living from having worthy DJ skills. If one doesn’t get attention from making music, being a producer, and releasing it on labels that get national/international hype, it is EXTREMELY rare to be able to live off being a great DJ.
The most special aspect of Portland’s underground scene to me is people come out and truly get down without being influenced by razzle-dazzle big-name hyped-up headliner events. We haven’t had large budgets or large venues, enabling us to be able to do large scale pricey events. Our loyal followers and community are the real deal Grassroot UNDERGROUND. There are people influenced by the hype over substance approach. But, for the most part, Substance > Hype is the way of the walk here. In large markets, you see locals struggling to fill rooms. You see people coming to events late for the big-name guest and missing the hard-working locals that play early sets. Our followers and community trust that we care about curating quality for them. I value that IMMENSELY. So, if you’re reading this and attend my events. xoxoxoxoxoxoxoxoxoxoxxo
All our lives are continually changing and evolving. Over the past few years, what are some significant changes you have experienced as a human and longtime DJ?
Geeeeez. This is a massive question. I won’t attempt to tackle the part of the changes I have experienced as a human outside of how that relates to djing. YIKES. I can say I no longer take gigs of which I am not fully interested. I realized the fest/rave hybrid scene isn’t for me. I stick to places with walls where I can control the vibe with people who genuinely want my product. A late bloomer, but I no longer get drunk when I DJ. Ha. I don’t book guest DJs out of pressure. I am strict on curating musical experiences through the guests I select.
Tell us what burns your tail feathers?
One thing quickly comes to mind. The 1 am end time here in Maine chaps my ass for sure. It is almost 2020 for crap’s sake. We can handle 2 am, at least. People want it. I am confident businesses wish to have the extra hour of sales too. Many people (who are working!) don’t make it out till 11-11:30 and even midnight. Poof, it’s done. LAME. After hour spots pop up here and there and vanish. I would love to join forces with a group of people to start a petition. Maybe the city would listen.
Yes. I have periodically focused on studio productions over the last decade or more. I am always collaborating with long-time friend, Highkoo. New original works are part of my winter plan. Overdue. We have had music releases on different labels over the years without really trying to develop our sound. This needs to change.
What’s one track guaranteed to light up any dance floor?
Again, a massive question. The overwhelming amount of music I have and continue to get makes it hard to give an easy answer. Here are a few sure shots for me lately.
States Of Mind – Elements of Tone (Richie’s Dream Mix) this is from 1990. Ha
Frits Wentink – Space Babe from this year
Jensen Interceptor – The Fontainebleau – Original_Mix from 4 yrs ago?
And this slow, playful sugary thing – Look Like – B.A.B.E.
Who is your dream B2B partner? What dream venue?
Hmmmmmm. Dream B2B partner(s) Derrick Carter out of Chicago. He dwells in the housier side of the styles I love — any venue but preferably in his town of CHI-TOWN. Then I would say UK og, Paul Woolford, aka Special Request. Again, any venue. He plays Detroit electro style music I love. Both DJ’s are TRUE SCHOOL badasses in the booth. No hype. No laziness. Raw energy. This style is my approach.
What’s one piece of advice you would give to the next generation of DJs?
NO half-assing it when it comes to the art of djing with emphasis on beatmatching, creative mixing, and use of the eq knobs. Create something new as opposed to lazy transitions to the next songs. And DIG for music. There is so much meh music easily found online. So, AT LEAST DIG DEEP THRU THE CRAP to find the hidden magic out there. Trust me. It is worth it. And lose the hype machine aspect. Let your product and aesthetic and talent do the talking. Also. Don’t be a jerk.
I make sure to be approachable while out at events, and at my own. I am just a person. I care about relationships. Community is a crucial part of this scene and life in general. Say HI if you see me. xoxox
I am djing an all-night, old school styled warehouse event in Providence, R.I., on Friday, November 29th.
Saturday, November 30th, in Boston, MA. An all-night event featuring old school DJ veteran Jason Hodges out of Toronto with other New England vets.
Let’s do this thing y’all. Thanks for the continued love and support. It takes a village.
Blogs are curated by Flask’s Owner, Jessica Lea Nolette. She is also the Founder of My Mindful Motivation, a source for inspirational storytelling, community, and the creator of Mindbosa — a free goal tracking and savings tool.
Love is about to celebrate nine years at Flask Lounge. What does this milestone mean to you?
It means that Time Flies!! It also means it’s about to embark on its tenth year, and that makes me feel proud. Proud that the thing I started is still here, growing, and as much fun as ever.
How do you describe LOVE to a stranger?
It depends on if they’re an Enthusiast (a head) or not, but in general, I say it’s a dance party focused on underground electronic music with a very eclectic crowd. All ages, sexual orientations, gender identities, races, and socioeconomic statuses.
LOVE is the first Friday of every month at Flask Lounge.
How does the Portland dance scene compare to other cities?
Portland has a rich history in the dance club and gay bar culture since the ’70s. Punk, rock, and dance club culture were prominent in the ’80s, and then rave hit Portland in the early ’90s. That’s considerably early in American rave history. It’s real here and has a unique personality that differs even from other New England states. It’s a wicked tiny community due to the population and popularity of underground dance culture.
Do you envision retiring or passing Love’s torch?
No. Not at the moment. My original goal was to try at least and make it ten years, which is coming right up. If there’s still a crowd and I’m still able, I’ll be here doing my thing.
Flask Lounge, Portland Pride. Photo By: Jennifer Breton
Do you remember 180BPM? Aside from Karaoke, I believe this was our first resident dance night at Flask. Caitlin Flynn, best known as Corbin in the Portland DJ circuit, was one of the hosts of 180BPM. Corbin is a member of Resonant Sound, a collection of DJs, producers, and bass aficionados. Corbin and crew host Friction Friday on the 3rd Friday of every month at Flask Lounge. Would Flask have dance music if it wasn’t for Corbin? It’s something I wonder.
Tell us about Friction Friday, and what makes this night so unique?
Friction Friday is a multi-genre night hosted by Resonant Sound where you can get a taste of everything, including Drum & Bass. Our residents are me, G-Force, Undrig, Andromedv, and Moses. We are the only regularly occurring night north of Boston that features Drum & Bass, along with other super talented guest DJ’s bringing house, breaks, dub, and bass music.
The next Friction Friday is November 15th and will feature: Soappy (Tight crew), Andromedv (Resonant Sound) & G-Force (Resonant Sound, NEJunglists, Scientific Sound). Click here for more details.
It’s a rumor that EDM culture is dying. Do you think this is true? How can we keep EDM alive?
I don’t think electronic culture is dying at all; in fact, I believe it’s just coming to the forefront in the USA. All those pop songs on the radio, what’s the beat behind it? Electronic. Lots of house. We may be behind in Maine, but it’s alive and strong in the rest of the states. Keeping coming to shows, bring your friends, dance, and spread the word.
What is your favorite piece of equipment you own?
My Technics. I love my turntables.
Atlantic Event Design is owned by Caitlin Flynn (DJ Corbin) and is based out of Windham, Maine. A hard-working lady DJ providing professional services for all occasions! Learn More About Booking Corbin
Aside from pooping, how do you prepare for a show? 💩
Ahh, yes. My nervous ritual. After I poop 20 times or so, most of my preparation is getting some new fresh tunes and getting up to the decks to wing it. I’ve found if I prepare too much, I’m not reading the crowd. The dancers are why I DJ, and they’re the real reason why we can do what we do.
What advice would you give to an up-and-coming DJ?
Cover your screens and BPM counters and use your ears. LISTEN to the music, feel the music. Don’t let technology do it for you because once you stop looking, you’ll hear things you’ve never heard before on some of your favorite tracks.
If you were free tonight and could see any DJ perform live, who would it be?
Jenna & The G’s .. she’s a Drum & Bass vocalist and has brought a band together to play tunes. Check it out.
What is your favorite and least favorite part of being a DJ?
Favorite: Getting the dance floor hyped on Drum & Bass Least Favorite: People waving drinks above my equipment or hanging on the DJ booth shaking everything. Hands-off and drinks away people!
DJ Cougar has been DJing 35+ years and has been a Karaoke DJ for 18 of those years. He’s played 1,822 shows (not including private events), and yes, he keeps track! Will we ever know the truth behind his DJ name and staple bandana fashion? Wayne Smith, aka DJ Cougar, shares tales of what it takes to be a Karaoke DJ, the most popular and dreaded song requests, and how Karaoke can boost your confidence.
There’s Just One DJ Cougar
At last! Tell us where, when, and how Wayne Smith became DJ Cougar? And when did your infamous fashion staple, the bandana, become a tradition?
The name DJ Cougar was bestowed upon me while I was in the Army stationed in Washington, DC. There are many stories behind the origin of the name. My favorite is that I won the lawsuit against John Cougar Mellencamp and got my name back.
The bandana originated in high school and returned in the early/mid-’90s while working in a kitchen in Raleigh, NC. I ended up with what was known as the Budweiser collection, which I referred to as my corporate sponsorship. After moving to Boston in ’96, Harley Davidson replaced Budweiser. The bandanas with my logo finally came in 2008.
There are many people afraid of karaoke. Do you think karaoke helps self-confidence? Do you have any stories of a shy person evolving into a confident, karaoke superstar?
Once you start with karaoke, you’ll either love it or hate it. Most people get hooked after doing a couple of songs with friends and then go solo. It’s an adrenaline rush when the crowd cheers for you. I would say that yes, karaoke does help with self-confidence. I’ve watched a few people through the years go from timid and shy on the mic to belting out songs you wouldn’t imagine them trying. Nobody has risen to “Karaoke Superstar” status, but some have become extremely good. The “Superstars” usually have a musical background (high school, theater, etc.) by the time I meet them. Regardless of singing capabilities, my shows are for everyone to have fun.
Karaoke is perfect for holidays, birthdays, or any special occasion. Book a karaoke night here. Photo credit: Old Port Pub Run captured by Chelsea Peterson.
What are the top 3 most requested songs? What are the top 3 most dreaded songs requested?
The most requested songs change over time. Currently, it’s Mr. Brightside – The Killers, What’s Up – 4 Non-Blondes, and Don’t Stop Me Now – Queen. The dreaded 3 for me are anything by a boy band, Piano Man – Billy Joel, and Love Shack – B-52’s.
Do you think people assume being a Karaoke DJ is easy? Take us through a busy night and share just how much skill, work, and patience it takes to be successful in this particular genre of entertainment.
Most people think it’s easy, and they don’t realize how much is involved with running a show. We are averaging 54 songs during a 4-hour show at Flask, which is high speed. Most hosts would lose their minds trying to handle the large rotations. I’ve been doing this for so long that it has become second nature to me, although I do admit to having meltdowns.
Once the show starts, it’s not unusual for people to turn in requests all at once. I try to keep them in order while adding songs to the queue and bringing singers to and from the stage. Add in trying to keep audio levels balanced between music and microphone and lining up bumper music (songs between singers). And of course, having conversations with people to make sure everyone’s happy.
It’s not unusual for us to have 18-30 singers in rotation (90 – 150-minute wait to sing). Figuring out the rotation and explaining how long the wait is can be overwhelming. If you want to sing early, I always suggest arriving early to shows. I do keep a list of courtesies in front of my songbook (containing 45,000 songs to choose from) to explain how the show runs and how people can help keep it moving, but nobody reads it.
Has karaoke changed over the years? If so, how?
The popularity of karaoke usually runs in 2-3 year cycles. We’ll have groups of regulars that come out for that period of time and then fade away, but typically a new group is already coming in when that happens. The most significant change in the past decade has been the move from CDs to digital (laptop). I remain old school with the use of paper slips. It saves me from trying to hear names and requests in a lively environment.
Do you envision retiring from karaoke or DJing in general?
I semi-retired in the early ’90s but ended up DJing again regularly by the end of the decade. It would be nice to retire from karaoke (I enjoy DJing too much to leave it behind), but it’s been paying my bills for more than a decade, and I don’t envision retiring anytime soon.
What’s something few people know about you, including friends and family?
The real story behind my DJ name. There are a couple of people who have figured it out, but if I told you, it would no longer be a secret. 🙄
Sarah Violette, born in Portland, Maine (grew up in Hollis) is a Hip Hop Artist who began writing at age 13 and has been performing since 18. Sarah is not a fan of whoopie pies, or sexism in the music industry, but is a fan of the respectful Maine music scene, and finding that secret spot within that allows her lyrics to flow. You can catch Sarah at Flask Lounge on Saturday, September 14th. A special event presented by Monday of the Minds, a CommUNITY hip hop showcase.
Is there a place inside your head or a physical location you go, to find inspiration to write lyrics? Depends on the song! If I’m writing a song that’s aggressive with heavy flow, then I’m focused on the beat and how to get inside it the best way I can. However, if I’m writing an introspective piece, I tend to let my mind wander into a different dimension and write what I see there. My favorite is when I get somewhere in my head, I’ve never been, and my emotions, my words, and the music all align in a transcendental way.
I read a statistic based on the last 6 Grammy Award Ceremonies. “Out of 899 individuals nominated, 90.7% were men, and 9.3% percent were women.” Do you think gender plays a role in the success of hip hop artists? I’ve always thought it’s harder for women in the music industry, for sure, not just hip hop. Women have to deal with how they look, how they are perceived and treated. Sexism is still rampant, and I have to say I am grateful that a huge majority of men in Maine’s music scene have always treated me with respect and kindness.
Are there any misconceptions about the hip hop community in Maine or generally you hope to debunk? Not really! It’s progressed so much in the last ten years, and there’s so much variety. It’s pretty amazing.
What do you enjoy the most about performing? Do you get nervous? I enjoy so many aspects of performing. I love when everything is still and calm, and it feels like I’m confessing my inner being to a crowd that’s genuinely listening and feeling. I also love when I switch from that to something super upbeat, and everybody is dancing and just having fun. Or when my friend Renée is performing with me and does her weird metal voice to hype up the show and make me laugh. It’s all good for me.
I do get nervous! After all these years I can get anxious and not be able to eat before a show, especially if I’ve had too much caffeine. Haha.
Tell us a secret! What’s one thing, not even friends or family know about you? A secret? Hm. I don’t like Whoopie Pies very much. I think they are overrated.
We have an additional secret! Sarah is dropping new music “World Collide” on September 10th! “Probably the smoothest joint I’ve ever made. 😏”
Where can we see you play next, and how can we connect with you? Casablanca Cruise in Portland on September 13th, at 6 pm. Flask Lounge in Portland on September 14th, at 9 pm. $8 Advance Tickets Here You can connect with me on Instagram! @sarahviolettemusic
Voted #65 of TOP 100 DJs in America – National Sun Times 2015 & Chicago Nightlife Awards – “BEST DJ” 2014
“I play good music.”
What are you most grateful for, today?
To be able to share good music with the people and support myself while doing so. Being a DJ holds serious responsibility, whether the DJ wants to admit it or not. Music has the power to unite, the power to change, and the power to reach people on a personal level. At a club or party, you will find people from all walks of life getting down together. The same people that may not speak to each other in everyday life. I thank the universe for helping me find myself through DJing and using it to connect with others.
How has DJing and electronic music changed in recent years?
For the past decade, it has been the same with the rise and fall of “EDM” and the culture associated with it. When I first started DJing in 98′, I came from the underground rave scene in Chicago and the midwest. Then it was all about the DJ and not so much about the producer. Many producers did DJ also, but there was more opportunity for DJs as you had to have a record collection to play out. CD players weren’t great at the time, so vinyl was the primary format. A DJ spent time, and money to build their collection, and that was a big part of their name and draw.
With the rise of EDM culture in the US, it made events more like concerts as opposed to “rave” style parties. The visual became a significant part of it with better technology in lasers, lights, and now LED walls. With the rise of EDM, it seemed dance music became all about the “build-up & drop.” I’m not knocking it as I do like a good drop, but every style of dance music became all about it, and I feel that took a bit of soul out of dance music. People danced differently as they would get hyped during the build-up, “go ham” when the drop hit and then waited for the next one, whereas electronic music of the 90s and early 2000s had more of a groove and soul to connect with and converse with through dance. I feel like the dancing in the 90s, and early 2000s was something everyone did, whereas, with the EDM culture, it was more like a fist pump, some headbanging and even moshing.
I’m not saying there is NO dancing now as I see a lot of good shuffling, but people do not dance as much. I think the fact that everyone has a recording device and social media can be used to make fun of people for letting go and dancing, may play a small part of it as well. Keep in mind this is all from my experience, my observation.
As a DJ, are you concerned with patrons safety at events?
Yes, and every DJ should be. Nobody wants to see anyone get hurt, OD, or something terrible like that. A party is about togetherness and connection.
One piece of advice for aspiring DJ’s?
Practice, practice, practice! There is a lot of technology taking the skill out of DJing and relies on algorithms to take on the work that should be part of the “skill” of DJing. Be yourself and be nice to people. Never burn bridges. Use DJing as a way to express yourself honestly. DJs should be different and should play different styles and genres. Make your style about what you like. That personal touch allows patrons to connect with your DJ style.
How has mentorship challenged you, and what’s your most rewarding experience to speak of?
I am able to help students progress farther and faster by teaching them from the mistakes I made and lessons learned. I hope to see my students push DJing farther than me and take the art to a whole new level.
I recently had an Autistic student who found himself through DJing. At the end of the semester, I received a letter from the student’s father thanking me as the student found something that he is good at and can connect with other people through. He had never felt that before, and now he practices every day and uses his craft to make new friends and communicate in ways he cannot do with just words. I’m also able to use my connections to help these students get their foot in the door. The scene here is massive, and there are more and more DJs coming out every day, so it can be tough for people to break into the scene and get gigs.
What’s something not many people know about you, not even your family or friends?
My middle name is actually “Zebo.” Most people don’t know where I got my DJ name from, or they don’t believe me. When I was younger, I was called J Z, as my first name is Jonathon. I tell people now my name is J Z and they think I’m trying to bite off the Rapper, Sean Carter aka Jay-Z. I’m taking my name back from him. I had it first!
